If you like line dancing, you are going to love Rhinestone Mondays.

Essentially a Mama Mia for the country and western set, it has a whole host of classic country numbers, intermingled with the lives and loves of a village line dancing group.

There’s Clint who thinks he is Clint, Eastwood that is, Carol, who only needs a pair of cowboy boots to get the moves right, Tom, who is looking for love, but lacks the moves, and Annie, a single mum just looking for a break.

It’s this last pairing which forms the basis of most of the storyline and while in places it fell a little flat, there were some touching moments.

I would have actually liked to see a bit more of some of the characters, such as the ridiculous Clint, nicely delivered by Phil Pritchard, the loveable Carol, a gorgeous cameo by Ally Holmes and tap dancing Duncan, a great performance by Ian H Watkins.

Keeping the whole lot going, like a country and western ringmaster, is barman Brian, an hilarious performance by Shaun Williamson, who thinks the new line dancing club will keep his bar going.

He had most of the laughs and you can see why Ricky Gervais and Stephen Merchant employed him in Extras as his comic timing is spot on.

His singing is pretty good as well, with one the highlights of the show his rendition of Roy Orbison’s Blue Bayou.

Neil D’Arcy-Jones